We Spin a World

We Spin A World, 2014, archival pigment print, 25 x 38 in. image size, 32 x 44 in. paper size.

ARTWORK DESCRIPTION

Below are additional archival pigment prints which are also available for trade.
y-broaching-the-subject

 

Many_Chambers-900x600

 

Topkapi1-759x600
Sumptuous, intricate, ornamented, my current paintings are richly referential – they call to mind a range of associations from mandalas, the cosmos, cells, lace, brocade and more. I align myself with the long tradition of geometric and floral ornamentation the Far East, the Middle East, the Byzantine and the Baroque have long employed. They did so with the implicit understanding that pattern and repetition, which are endemic in nature, are primal in their rhythmic connection to the human nervous system.

 

I have come to understand that I am following a particular artistic lineage—one that is ancient and has separate roots in the Far East, the West, and the Middle East. When I started making mandala-like paintings in 2009, I did not think of them as mandalas. I used the circle within a square as a formal device to make centered, iconic images. Eventually I came to see that, although not strictly speaking devotional, the paintings do speak to the sacred, to the largeness of life, to being one with the universe.

BIOGRAPHICAL INFORMATION

Amy Cheng was born in Taiwan, raised in Brazil, Oklahoma and Texas. She received a BFA from the University of Texas at Austin, and an MFA from Hunter College, City University of New York. She has exhibited her paintings both nationally and internationally and her work is held in a number of corporate and public collections. She has completed a number of public art commissions including a mosaic column at the Seattle-Tacoma International Airport, a painted ceramic mural at the Howard St. El Station in Chicago, IL, faceted glass windscreens at the Cleveland Street Subway Station in Brooklyn, NY, laminated glass windscreens at the 25th Avenue Subway Station in Brooklyn, NY, two ceramic tile murals at the Lambert-St. Louis International Airport MetroLink Station and a mosaic mural at the Jacksonville International Airport. She received a P.S. 122 Painting Center Fellowship in New York City for a ten month residency in 2011-12, and a Senior Lecture/Research Fulbright fellowship to Brazil in 2008. She has been awarded two New York Foundation for the Arts Painting Fellowships, and an Arts International travel grant to China. She is a Professor in the Art Department at the State University of New York at New Paltz.
Collections: New York University Langone Medical Center, Hewlett Packard, Wyeth Pharmaceuticals, Novartis Pharmaceuticals, Sheraton Hotels, Brussels.

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